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What is it like to be a bat?
Thomas Nagel
[From The Philosophical Review LXXXIII, 4 (October 1974): 435-50.]

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Color Models

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Noise : the political economy of music / Jacques Attali ; translation by Brian Massumi ; foreword by Fredric Jameson ; afterword by Susan McClary. —
Publ info Minneapolis : University of Minnesota Press, c1985.
� Music Library Stacks �ML3795.A913 1985�

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PRE-FLUXUS CONCEPTUAL DEVELOPMENTS
AND GENERATIVE INFLUENCES
Chapter 1 of
Fluxus: The History Of An Attitude

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Colette Gaiter is a multimedia artist and Associate Professor at the Minneapolis College of Art and Design. She can be contacted at colette_gaiter@mn.mcad.edu.

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Performance Lecture
* Performance survives as a cluster of narratives, those of the watchers and of the watched, and of all those who facilitate their interaction - technicians, ushers, stage-managers, administrators. The same event is experienced, remembered, characterised in a multitude of different ways none of which appropriates singular authority. And these may constitute the traces [...]

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Rise Up Like the Sun: Performance in the British Folk Club

Expectancy is especially important in folk music, for one of the primary concepts behind folk listening practices has been a ‘knowledge’ of historical performance ‘givens’ concerning levels of socio-musical democracy and de-staging; around a concept of a non-audience and an equally valid participatory listener.  Performance [...]